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Here you'll find info about artists, rumors, camping tips, and the infamous Roo Clues. Have a look around then create an account and join in the fun. See you at Bonnaroo!!
Post by itrainmonkeys on Feb 14, 2012 13:57:56 GMT -5
I've begun re-listening to his stuff (only heard his album and EP a few times each) and did anyone feel this way when first listening:
It's so damn hard to understand what he's saying.
At least the first few songs on For Emma. I think that may be one of the reasons I didn't latch on to it right away. I need the lyrics in front of me to get the full experience and I'm dying to see him on the farm now. I couldn't catch his last show (tent was so damn crowded).
Post by ronburgandy? on Feb 17, 2012 9:27:48 GMT -5
4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience.
Recorded in AIR Studio's Lyndurst Hall - a building that was originally a church and missionary school designed in 1880 by the great Victorian architect Alfred Waterhouse (designer of the Natural History Museum) - Vernon was joined only by Carey, with the pair positioning themselves opposite one another at two grand pianos. Although neither Justin nor Sean's first instrument is piano, they were able to remodel the songs in a way that showcases their complimentary vocals and, perhaps more strikingly, a seemingly effortless ability to experiment with form and structure.
As such, fans are treated to jaw-dropping interpretations of several songs from both the new album and the 'Blood Bank' EP, as well as a cover of Bonnie Raitt's "I Can't Make You Love Me". And interpretation is an apt word, as these songs are artfully abstracted from their original incarnations. Rather than layer the sound as on 'Bon Iver, Bon Iver', the focus is on paring back, in part evoking the minimalist approach of contemporary classical music, while remaining true enough to the source material to retain those elements characteristic of Bon Iver.
As on "Babys" and "Hinnom, TX", Vernon's trademark falsetto is positioned centre stage, framed by subtle and unexpected instrumental flourishes that render the performance simultaneously weighty and airless. It's quite an achievement that songs so widely-known and loved in their recorded form are able gain in emotional impact, and stands as testament to Bon Iver's singular talent.
1. Hinnom, TX 2. Wash. 3. I Can't Make You Love Me 4. Babys 5. Beth/Rest
Director: Iain Forsyth & Jane Pollard Recording & Mixing: Jake Jackson with Brian Joseph Recorded in London at AIR Studios, October 16, 2011
I'm finally converted. Certain music requires just the perfect amount of circumstances to "get" and it happened. Started with the snl videos. Then I bought self titled on itunes. Took four listens. First listen to get adjusted to his voice. Second listen I continued to adjust to his singing style and started differentiating between the songs. Third listen and I started appreciating all of it. Fourth listen and I'm totally digging it. Definitely an album to be listened to start to finish
I've begun re-listening to his stuff (only heard his album and EP a few times each) and did anyone feel this way when first listening:
It's so damn hard to understand what he's saying.
At least the first few songs on For Emma. I think that may be one of the reasons I didn't latch on to it right away. I need the lyrics in front of me to get the full experience and I'm dying to see him on the farm now. I couldn't catch his last show (tent was so damn crowded).
He's well aware of this. He used to pass out lyrics at his shows so the crowd could sing along. Even today, when he does The Wolves (Act I and II) live, he has the crowd sing one of his vocal parts. It's breathtaking, and hearing 50,000 people sing it in unison this summer is probably going to reduce me to tears. (No shame.)
Post by candyflippedaround on Mar 14, 2012 11:25:02 GMT -5
I was very disappointed to find out I was saying his name wrong in 09. I still usually pronounce it wrong based on not wanting to sound like an jerkstore
That's a really good question!! I for one am so excited for this set! I hope he plays a lot of For Emma, Forever Ago! The new album is a bit more upbeat but For Emma is one of my favorite albums, period. A little stuff off Blood Bank EP would be nice too, but I'm not getting my hopes up for that. I was SO SHOCKED that Bon Iver was nominated for "Best NEW artist" at the Grammy's this year!! I've been listening to his music for a couple of years now, but I am happy that he won over Skrillex and everyone else in that catergory...
Post by Longtime and Frequent Poster on Mar 14, 2012 16:23:40 GMT -5
^They played "Blood Bank" and "Beach Baby" when I saw them last summer so you might get your wish. And seconded that I want to hear more of For Emma. I only got 4 songs from that, but it was the first night of the tour and they seemed to play 5 or 6 every other night.
^They played "Blood Bank" and "Beach Baby" when I saw them last summer so you might get your wish. And seconded that I want to hear more of For Emma. I only got 4 songs from that, but it was the first night of the tour and they seemed to play 5 or 6 every other night.
I think this sounds about right for their Roo set. I'm assuming it will be "Self titled" - heavy, sprinkled with 5 or so from For Emma, and maybe 1 or 2 from Blood Bank. And I would be absolutely ok with that.